March 2 Friday
I think I spend 20 hours in plane. And then I took train from Geneva to Gstaad! It was snowy day. My carrier was super heavy but thankfully lots of people were helped me. After this, I met open spaces members!
March 4 Sunday
I went to Gstaad to go church (which was evangelical church) in the morning. But the pastor said they will open this church at 9:45. I noticed that I came this place too early. I start to walk Gstaad to check where the market places are. When I passed Migros I slip and fall from the slope concrete road because of frozen snow. However right after it I found church which was not found on Google map before. I just entered the church and had service there. As soon as I seat on chair, my heart was melted down and cried a lot with happy feeling. In that church I was able to meet nice people, they were trying to translate all the germen language to English from the hymns and sermon. I was feeling thankful by the work of God. After the service Erika’s family invited me for a lunch and we went for a sledge.
Meeting sweet neighborhood who has beautiful heart was huge blessing for me. After this day we were occasionally meat together and made priceless memories.
We also played Gospel songs together in Good Friday on the Gstaad street.
I cycled to Gsteig church every morning to pray. My soul was refreshed by God’s work. The works I made at Open Spaces can be seen as a combination of my personal diary and the diary of nature. The past is no longer the present, but it becomes, in the head, the remaining abstract that has passed.
Abstract stone from Gsteig Church in Switzerland, 3.5cmX5.5cmX2cm, mixed media, found by ju yeong on 03.15.2018
Portrait of rock – PRAYING, 320cmX162cm, oil painting on canvas, 2018 ; In the silent church there is sound of praying.
Much of my work completed at Open spaces was inspired by walking and cycling in the locality. Due to the large amount of snow, I was limited to a few accessible routes up into the mountains and this meant that I became particularly accustomed to them and came to appreciate certain details.
I relented out of my intention to paint and draw outside in the landscape due to the cold, but I did manage to have a few fires in the deep snow at the local 'Feurstelle' sites where the commune provide a pile of finely seasoned wood for the purpose. I made a painting inspired by this and I wish such places existed in the UK!
Many of the landscapes I painted were shaped by farming - in particular summer pastures which formed a particular pattern upon the land; I met quite a few farmer folk whilst out and ate a lot of local cheese (many thanks to Kyra and Roderick for their superb raclette and fondues).
Two Magpies that I would often watch from the studio window made it into a painting. The Resin which I used on this painting dried in an unusual way - creating a rippled surface that evoked for me some of the various ice formations I had experienced whilst out walking on the coldest days. I also found using perspex to paint on gave some interesting transparencies and a slightly synthetic quality that contrasted with the more traditional landscape motifs.
On some days the weather would create a strong feeling of seclusion in the valley and this was amplified even more when out walking in the forest where the snow would blot out nearly all sound. These days were also the best to be in the studio and to watch the mountains emerge and disappear in the vapours.
Having been at open spaces for over a week now, I am still getting used to the amazing view from the studio, which I spend a lot of time staring at instead of painting. My first works have been done directly from this viewpoint as opposed to my usual reliance on photographic reference material and I hope to continue doing so...I also would like to get out and do some plein air studies in the manner of romantic painters from the age of the grand tour. In order to do so, I will have to sketch with gloves on and maybe bring a hip flask of strong spirits also.
These studies will hopefully develop into something strange as I work into them in the studio aiming to create an altered or psychedelic atmosphere. Ultimately I would like to build up a group of small works that aim at a form of mapping out of the local area explored on foot and bicycle.
There was an outdoor advent market - and we ran a workshop in the studio alongside this..I made a large scale charcoal drawing of the view from the studio which formed the background for a wide range of creations drawn, coloured and stuck on by children from Gsteig and Feutersoey and some parents also. There was quite a buzz to the proceedings and the end result exceeded all expectations - so congratulations to everyone for this great effort!
Residency is soon ending.
This week I selected stones with white stripes from soil separation site of Feutersoey. Thanks to Ruedi for arranging permission.
Now 39 chosen stones form an installation in fountain of incessantly running water.
You can find "Waternity / Immerwasser" in front of Open Spaces Culture Centre.
A busy preparation for the Feutershow - followed by the end of Residency Raclette!
On Sunday, 15 October, the schoolhouse in Feutersoey was the centre for a one-day Berglauf-Arnensee mountain run. It was a lovely sunny day, and from the studio we could see over 200 persons in the playground (enjoying the food) and in front of the Ladeli convenience store (at the race start).
We got about 50 persons visiting the studio: adults, families with children, a grandmother who is an ex-teacher of the schoolhouse….and lots of children, who were very interested in what we were showing.
Timo and Nelo worked on the welcome sign for the foyer. At one point, there were over 12 persons in the studio, and no one remembered to take a photo! The run event was over by 4pm and we also closed the studio at that time.
My project in Open Spaces residency is about recycling and reuse of abandoned art. I'm looking for means and ways to maintain or increase the value of worksof art, which otherwise would be garbage.
It is a reminder and comment for the importance of recycling, which is a topical theme everywhere. The project itself is an act of art.
As an artist, it is more reasonable and justified not to produce all the time new and more.
I have already a collection of paintings for this purpose.
Anyway, I would appreciate dispensable paintings donated. They may be in bad condition. You may contact me (Timo) directly via e-mail: rutkonen[at]suomi24.fi - auch auf Deutsch, ou en français.
It is possible for me to come and collect the canvas even somewhere further than Gstaad.
This kind of project is well suited to be accomplished in Switzerland, which is said to be the leading country in recycling.
Having visited the recycling centre of Feutersoey, I found everything there in good order and clean. All the waste is separeted into their own containers. Only a recycling container for gold is lacking...
Also tax badges for wastebags, I find good. One realizes, that rubbish just doesn't dissappear, there is price to handle it. Exemplary practice, I would say.
Nelo and Suelin had a grueling early start in the cold on Saturday for the Gsteig Autumn Fair. The cow bell parade was out, as was the Yodel Club of Gsteig, cheese makers and dried meat sellers - the sun shone most of the day, while Ruedi from Feutersoey was handing out strong local coffee and other unnamed drinks of the grown-up variety. To finish the day on a high note, a local collector bought some pictures.
I am a Finnish artist and arrived in Feutersoey in the beginning of September, and happy to have had nice weather in the first week for acclimatizing and orientating to new environs.
I'm making art out of lots of different materials and with many diverse techniques. I have had many solo exhibitions mostly in Finland, taken part in art competitions with some victories and completed numerous public works of art, already in four continents. My production includes also several books and short films.
During the years I have felt repeatedly privileged having had the possibility to visit multiple highly interesting places as a guest artist.
Find out more at my web site:
Prensnelo is a painter, photographer and film maker from Petit Goâve, Haïti, resident in Grenada. His surrealist and abstract artworks explore Haitian identity, culture, history and tradition, and take the form of mixed media paintings on canvas and wood. He has been exhibited in Haiti, the Dominican Republic, United States, Switzerland, Romania, Spain, England, China, France, Trinidad and Grenada. He has participated in residencies in Haiti, France, Romania and China. He is proficient in French, Spanish and Haitian Creole. He hosts regular youth art camps in his home village of Brigue, Haiti.
Since 1990, Suelin has undertaken an exploration of Grenada’s Traditional Carnival Masquerade, as well as questions of identity, culture, history and tradition, inspired by research into our colonial period. Her work takes the form of mixed media paintings, drawings and collages, many of them on found/recycled substrates, as well as canvas and paper. Her recent papers on art during the Grenada revolution years have been published in the 2013 Social and Economic Studies (SES) journal, The University of The West Indies Mona Campus, Jamaica, and in Perspectives on the Grenada Revolution 1979 -1983 by Cambridge Scholars Publishing, 2017.
She has presented on Grenadian art and culture during residencies in Andorra, Haiti, Slovenia, Romania and China. Her works have been shown in Andorra, Spain, China, South Korea, Switzerland, Haiti, Romania, Slovenia, the UK, the USA, Trinidad and Grenada. She signs her works al, for ars longa vita brevis — art is long, life is short.
Jane is taking part in A Table of Elements - congratulations!
Jane is taking part in the White Conduit Project for July 2017 - congratulations!
Please click this_link for more information.
I have been here for four weeks today. The weather remains captivating. Within half an hour it can go from a tropical rain storm to bright sunshine:
As well as crowd scenes I have been painting bears in rainbow water.
I arrived at Open Spaces in the middle of the night, looked up and saw a shooting star. I started my residency with a wish!
Seeing the school house in darkness did not give much of the view away, but the size of the studio space immediately impressed me. I am sure the studio floorspace is larger than our flat in London. The space is fantastic. It was not until I woke up in the morning that I saw the mountain view. It is momentous, and never fails to mesmorise me. The quality of the light changes the view in the most dramatic way. Even though it is mid-summer we can see snow at the top of the peaks. Clouds appear and evaporate. The weather changes hourly.
Crowd formations are something I keep returning to within my artistic practice. I am interested in the power of the crowd, the way we relate to each other, the way the crowd relates to the world.
I woke up unusually early on my second day to news of the fire in London, at Grenfell Tower. The building is less than a mile from our home, and visible from our balcony. Despite our differences - ethnicity, religion, privilege I have so much in common with those that lost their lives. I am absolutely devastated. The severity of the fire has thrown up lots of questions about housing in London, and the impact of austerity measures on safety standards. How could this be possible in 2017? Watching events unfurl from here in Feutersoy is surreal.
There is nothing that can ease the pain of suffering for those families affected, but the response from people has been massive.
Drawing crowds of people is a kind of meditation. It is a mediation on the kindness of others, and the way we are linked together. It is a meditation on the lives that have been lost.
Weekend Wanderweg 1: these are examples of pictures which will be included in future works.
SLOW SCHOOL FESTIVAL MAY 2017 EXHIBITION
Alternative photography / emulsion from grass chlorophyl reacts to the sunlight.
"Some days ago I found marks on concrete, hidden by the woods, near the path of hikers.
This must have been some kind of trial to control the area. It is still there, so I am taking notes."